Under appreciated and superb should define Eddie Redmayne’s performance in the 2012 BBC two-part television drama Birdsong. Redmayne’s acting is spot on as the love-lost and heartbroken, Stephen Wraysford, who is reliving his romantic escapades with the alluring and alluding Isabelle Azaire (Clémence Poésy) during the summer of 1910 in Amiens, France.
Based off the novel of the same title by Sebastian Faulks, the film interweaves the past with the present by offering flashbacks of Wraysford’s passionate relationship with Isabelle and his current life in the first World War. Wraysford uses his wild and vivid imagination to his advantage as a means to escape the horrifying war that has haunted and hardened him.
Beautifully directed by Philip Martin, the war scenes are picturesque and accurate, depicting perfectly the mazing trenches and barren land that was once decorated landscape, ravaged by war. Martin offers stunning contrast throughout the film. Wraysford’s flashbacks give way to bright and optimistic beauty compared to the desolate and matte feelings of World War I. Everything from costume to location is enchanting, yet realistic.
But Martin is far from the real showstopper. Redmayne dominated his performance, displaying such lust, love, loss and heartache. Using few words, Redmayne captures a million with just one glance at Isabelle. His performance is passionate and emotional. Whether he is captivatingly seducing his paramour or protecting his troop, Redmayne acts with fervor that should be revered. Though the character arc could have posed a challenge when filming out of sequence, it proved to be a feat Redmayne could conquer. Capturing with finesse the boyish charm of a young and enamored Wraysford, to a bitter, tight-lipped lieutenant during the war; recognition is in order for the young man’s acting abilities.
The story itself is enthralling because it is this fiery love story encapsulated by this treacherous war that took millions of young men’s lives during the early 1900s. The scenes are exquisitely woven together like a handmade tapestry, giving us the perfect blend of romance and scorn. The heart goes from feeling so warm it might burst to quickly emptying every bit of blood it might have had left, leaving you empty and hoping something soon will come along to reinvigorate your soul. It is a tale of relationships and how the best one’s get you through the toughest times.
Jack Firebrace (Joseph Mawle) and his undying love for his ill son are just another great example of how relationships truly are the fuel driving this film. Firebrace and Wraysford find their stories intertwined all the way to the end. And even though it is never clearly defined, the two of them find a deep appreciation and admiration for each other. The friendship helps to remind viewers that Wraysford still, deep inside, has a heart and Firebrace has someone to lean on in a time of need, finding an odd comfort in Wraysford. The two men find something to live for in each other, which is an extraordinary gift.
Maybe written off as another boring period drama, or because it was a part of Masterpiece Classic, is why people refuse to check this film out. Yes, it is a part of public broadcasting, but that is no reason to turn the other cheek. This film is a hidden gem with formidable acting by Redmayne and Mawle, as well as wonderfully directed by Martin. It is a beautifully written and performed tale that will leave your heart swelling so much it will ache.
Thank you! I agree that this film has been unfairly overlooked. Redmayne played his part with such disciplined understatement! He conveyed so much in a glance, a shy smile, or look of disgust at the horrors of the trenches.
ReplyDeleteA preview of his brilliance in The Theory of Everything!